information for film investors

Investing in the film industry can be a very financially rewarding experience, as well as the experience itself could bring you and your family enjoyment -- by seeing the filming (visiting sets), meet the cast & crew, attend cast dinners, after parties, and premieres, for example.Investing in indie films can also offer potential benefits portfolio diversification, creative involvement, and the chance to support unique storytelling. But film investing is not without its own risks as well, like financial loss, limited liquidity, unpredictable box office performance, and potential for creative control issues depending on the investment structure. Check out some of the information here, and read our COMPLETE Confidential 506c Reg D Private Placement Offering to see if this film offer is for you. Ransom Rich Productions Co is a DBA of Richard Owen Ransom/Ransom Rich Inc., an Indiana corporation. The principal work office is 1025 S 300 East, Salt Lake City, UT 84111. Work phone 801-509-1828, fax 801-852-0713, and email info@ransomrichprods.com.

Potential Benefits






High potential returns:


 Portfolio diversification:


 Creative involvement:


Supporting unique voices:


Tax incentives:


If an indie film becomes a critical and commercial success, the potential for significant profit can be much higher compared to traditional investments. 


Investing in film can diversify an investment portfolio by adding an asset class that is not highly correlated with stocks or bonds.


Depending on the investment structure, investors may have the opportunity to be involved in the creative process, providing input on casting, script developm


Indie films often showcase diverse perspectives and stories that might not be produced by major studios, allowing investors to support artistic expression.


Some regions offer tax benefits for film production, which could potentially increase investor returns.


Potential drawbacks





High risk of loss:


Limited liquidity:


Unpredictable box office performance:


Creative control issues:


Distribution challenges:

The majority of indie films do not achieve significant commercial success, leading to a high probability of losing the entire investment.


It can be difficult to sell an investment in an indie film quickly, as there may not be a readily available market to buy shares.


The success of an indie film is highly dependent on factors like critical reception, marketing, and audience interest, making it difficult to predict returns.


While some investors may seek creative input, others may find themselves with limited control over the filmmaking process, potentially leading to dissatisfaction with the final product. 


Securing distribution deals for an indie film can be challenging, further impacting potential revenue.


ransom rich production co
SPECIFIC information for film investors


INVEST IN A SLATE OF FILMS WITH US!
We don't raise capital for one film at a time. Raising money is the hardest part of a producers'/a production company's work. In 2010, under Rich Owens Group, (we) Richard Owen Ransom  raised $40M for a slate of 5 films, that grossed over $341M in North American box office revenue.  See Richard Owen Ransom's Box Office Totals on IMDbPro. Ransom then took a hiatus, brought a AAA-professional hockey franchise in the IHL (Dayton Gems) and did some other things. Now, in 2025, we are back to raise $32M for 6 films. After this raise is complete, our team will begin on a 2026 $50M raise for another slate. But, that's later, let's look at our current offer.


the offer

FIRST ROUND FUNDING LLC

A Utah Limited Liability Company

Confidential Rule 506c Reg D Private Placement Offer

Total Capital Raise: $32,000,000

640 Membership Units Available For Sale

Membership Units Available to Accredited Investors

1280 Total Membership Units in LLC

Sale Price is $50,000 per Unit

Minimum buy is 2 Units

Maximum buy is 100 Units

Funding Round March 1, 2025 - December 31, 2025


The Mission of First Round Funding group LLC is to raise $32,000,000 in capital --
to finance and produce 6 feature length motion pictures, in budgets from $2M-$7M.

the films

Artwork for demo purposes only - not finished film artwork.

stained glass


harp


worthy


runaway


gibson


strangers

Stained Glass feature film

Harp feature film

Worthy the feature film

Runaway the feature film

GIBSON the feature film

Written & to be directed by
Richard Owen Ransom

Stained Glass is the story of Rita Mendez, a devout Catholic and mother. One evening after returning home from work and the grocery store, she finds her 15-year-old son, Manuel, dead in his room. He committed suicide. It made no sense. Manny was a happy kid. He got good grades, was funny, and was well-liked by everyone. Rita demanded answers. She becomes convinced that her son must have been the victim of bullying, mistreatment, or maybe even sexual assault -- something. Rita sets out on a quest to get answers, and maybe even revenge if someone deserved it. Soon she sets her sights on Father Sullivan. She tries to go through the church, without success. So, taking matters into her own hands, she makes a terrible mistake that will forever lead to life-altering events.


Written & to be directed by
Eamonn Larsen

Harp Morgan moves through life on autopilot—going to work, making small talk, and pretending everything is fine. The only thing she knows for certain is that existing feels impossibly heavy. The voice in her head is relentless, whispering that she should give up. Self-harm becomes a ritual, a fleeting sense of control. Even when life hands her small moments of kindness—a friend reaching out, a possible romance, a student’s unexpected gratitude—she struggles to believe she deserves them. As the weight of it all threatens to pull her under, 
Harp is left to face the question she’s been avoiding: Is there a way forward when living hurts this much?


Written & to be directed by
Richard Owen Ransom

The story of David Baker, a teenage boy from a low-income, dysfunctional home, with an abusive-alcoholic father, an older brother in the gang and drug trade, and an absentee mother, David was struggling with life and planning to end his. On the night he tried, David goes to jump from a local bridge, and a neighbor kid sees him.  Jayson runs to the bridge and fights with David for more than an hour trying to talk David down, and eventually, he does. That night a bond was formed between two teenage boys that would become a lifetime friendship. Months later, and at Jayson's urging, David picks up boxing, and puts everything he has left into it. David begins to find his own inner champion, some self-esteem, and his WORTH - through the sport of boxing. David goes on to have a 15 year career as a professional boxer, winning 3 title fights before retiring. At his retirement party, his best friend, now a youth counselor in the school system, Jayson Wahl said, "I saw him that night, man. I mean, I saw him. You understand me? I saw him. He wasn't dying that night, no sir." Worthy is a best friend story about an inner city kid who was about to lose it all, but instead, found an entire new world.


Written by Richard Owen Ransom
Director TBA

Eighteen-year-old Darrick Dunlap's life takes a violent turn when his CIA agent parents, Ann and David, are murdered in their home. He narrowly escapes the same fate, fleeing into the night with no understanding of the events unfolding. Seeking refuge and answers, Darrick turns to his Aunt Rita, a family friend aware of his parents' secret lives. However, Rita’s knowledge proves to be a liability, as she too becomes a target, leaving Darrick alone and hunted. Utilizing his martial arts training, he evades numerous attempts on his life, facing down numerous unknown assailants while struggling to uncover the truth behind his parents' deaths. The relentless pursuit forces Darrick to rely on his instincts and skills, pushing him to his limits. After days of perilous escapes and close calls, Agent Marks, his parents' former CIA boss, finally makes contact. Initially viewed as another threat, Agent Marks reveals the truth surrounding the assassinations, explaining that the attacks were isolated. He offers Darrick a place within the CIA, recognizing the young man's resilience and aptitude for the dangerous work. Accepting the offer, Darrick begins a new chapter, his grief tempered by the unexpected opportunity to honor his parents' legacy while battling the same enemies they faced.


Written & to be directed by
Richard Owen Ransom

Sixteen-year-old Jake Carson, living with his hardworking nurse mother, Ann, after the death of his father five years earlier, encounters Gibson, a homeless man always carrying a guitar case. Jake, feeling a connection to Gibson’s quiet solitude, attempts to help him, but Gibson is initially resistant, harboring a mysterious past he’s reluctant to share. Despite the initial setbacks, Jake’s persistence eventually wins Gibson over, and an unlikely friendship blossoms. Gibson, a former musician, begins teaching Jake to play the guitar, providing an emotional outlet for Jake’s grief and a sense of purpose. As their bond deepens, Jake’s unwavering support helps Gibson rediscover his own potential and find a path towards a better life. Their relationship becomes a journey of healing and redemption for both of them. Jake’s newfound passion for music, inspired by Gibson's tutelage, unexpectedly propels him to success as a country music singer. The story culminates in Jake’s rise to fame, a testament to the transformative power of their unique friendship and the resilience of the human spirit. 


Written by Richard Owen Ransom
Director TBA

The story begins in the present with May Jenkins hospitalized, her family—husband Don, daughter Rebecca, and son Robert—gathered around her bedside. A seemingly ordinary family visit is disrupted when Rebecca discovers her mother is dying of stage 4 prostate cancer, a revelation that leads to an even more shocking truth. The narrative then shifts to 1953, introducing the young Don Jenkins and Mark Stapleton, who fall in love and want to build a life together, but are forced to conceal their true relationship due to societal constraints of the 1950s. They relocate to a Midwestern town, present themselves as husband and wife, and raise a family. Decades later, May's illness unveils their secret: May, born Mark, had been living as a woman for over 40 years. Rebecca is furious and rejects her parents, viewing them as strangers, while Robert is more accepting. The ensuing weeks are filled with turmoil, marked by Rebecca's anger and denial, but Robert's persistent efforts at reconciliation eventually lead to Rebecca's forgiveness. The film culminates with May's death and the family gathering for her funeral, suggesting a tentative healing and a new chapter in their lives.


distribution partner
breaking glass pictures

Founded in 2009 by Rich Wolff p.g.a. and Susan Helfrich, Breaking Glass Pictures (BGP) stands at the forefront of the global film distribution landscape. We specialize in discovering and distributing unique and visionary independent films from around the world, spanning a diverse range of genres. Our mission is to bring compelling cinematic experiences to audiences everywhere.

that's the "short pitch"

Request the packet, which includes the Private Placement Memorandum,

Operating Agreement, and Subscription Document. Minimum investment $100,000 (2 units). You're single investment is diverged into all 6 projects (feature films). 


GENERAL CONTACT INFORMATION
CALL/TEXT 801-509-1828
FAX 801-852-0713 
EMAIL info@ransomrichprods.com

RANSOM RICH INC./RICHARD OWEN RANSOM dba 
RANSOM RICH PRODUCTIONS CO
51 FILMS / GAIE FLICKS / RUNAWAY DREAMS / RANSOM RICH MANAGEMENT + TALENT  DEVELOPMENT
MAILING ADDRESS
1025 SOUTH 300 EAST

SALT LAKE CITY, UT 84111, USA

SOCIAL MEDIA: